Mar
25th
Thu
25th
What I assume Shinn means is they treat playwrights like lead actors; they assume you’re making you’re “real” money in Hollywood, so when you “come back” to the stage you’re working just for the love of it, right? And this is basically a self-fulling prophecy, is it not: pay theatre artists (or take a percentage of their pay) as if it were their “second” career and guess what—it won’t be their first career. And the American theatre will be the poorer for it.