New York Neo-Classical Ensemble - When I was 25, the Seattle Rep started offering...

Hi, we're the New York Neo-Classical Ensemble.

We're a theatre company in New York City.

Want to contact us? Have Questions?
E-Mail info@newyorkneo.org.

We're just beginning production on our 2010 season: AS YOU LIKE IT and ROMEO AND JULIET/IMPROVISED.

We hope you'll come out and see our work!

Our other website is newyorkneo.org

This site is generally updated by Stephen Stout, Artistic Director of NYNEO. Other people contribute as well, they'll typically sign their post with their name.

"Positive action means that the actor/character focuses on the success of the enterprise rather than allowing the fear of failure to enter the mind or consciousness – every character plays to win at every moment....

The inclination of creativity – both on stage and in life – is to celebrate and to praise life and existence.....

With positive action, the characters hang on not only to the hope but also to the belief that they will get what they want. When they fail to achieve their goals, the effect will be psychologically and emotionally devastating; when they achieve their goals, the effect will be miraculous, exhilarating, and transporting."

- Louis Scheeder, Neo-Classical Training, Training of the American Actor.

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Mar
18th

Thu

When I was 25, the Seattle Rep started offering cheap tickets to everyone under 25. When I turned 30, theaters started offering cheap tickets to everyone under 30. Now that I’ve turned 35, I see the same thing happening again, as theaters do the math and realize that no one under 35 is coming to their shows—it’s a bright line, the terminator between day and night, advancing inexorably upward. A theater I’m working at this year is hosting a promotional event to coax “young people” to see our show. Their definition of young? Under 45.

—

Mike Daisey - The Empty Spaces - Theater - The Stranger, Seattle’s Only Newspaper

Also, I’m ADing Louis next week on Midsummer and Love’s Labors at The Classical Studio. Both as a means to reconnect with working on the basics, and to see what I feel about where it all started and what I’ve discovered since. I feel less beholden to the absolute strictest in’s-and-out’s of the technique at the studio and more confident in what our approach is becoming. Anyways, I’m sure it’ll be a mindfuck and the hallways will look smaller.

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